Sometime in the late 70s/early 80s (exact date of song genesis unknown), Paul Anka wrote a song called “Hold Me Till the Morning Comes.” And then he proceeded to record about fifty thousand different versions. Since 1997, I have been looking for the version that appeared on a tape that some attractive Marine made for me during the autumn of 1996 (we didn’t last, as a couple).
But around the turn of the century, the Internet didn’t yet have the answer to every single question I might have, because, well, see for yourself:
(cont.) and so I ended up with the crappy version (from the 1983 album “Walk a Fine Line”) that appeared on the album “Body of Work” that came out in 1998. Confused? You should be. Because I was. And have been, for 17 years, apparently. Anyway, that version sounds like this:
(Note: the above video is not the original video featured in this post. Youtube/SME blocked the original, which was great. IP is such a drag).
The Youtuber who posted this is a marketing genius. Put Peter Cetera on the cover of your vid and get 239,952 views (5,000 of them are mine) vs. the comparison I’ll make later in this post.
And I knew it wasn’t the right version. Because this version just sounds . . . less punchy. It’s almost like Paul couldn’t let Peter have his moment, there, at the end, when Peter is saying, “Would you love me in the morning?” And Paul is like, “Would you lo-ove me?” over the top of Peter’s vocals. Not great.
I mean, I DO wonder what Paul was doing. And what he was thinking, because even if the critics didn’t love him or the album this song appeared on, he was hella successful. I mean, it’s the sort of thing when writers complain that Twilight sucked and why was it so successful? It’s crap! And then some wiser person, for instance, me, responds, “Yeah, it’s crap. That’s why Stephenie is laughing all the way to her bank account. The account in the bank she OWNS BECAUSE SHE’S UNIMAGINABLY RICH.”
That’s Paul Anka. He had some hits in the 50s, then made a series of business-brilliant moves and even if his voice is “slight” and “a little hard to hear” with “all that talent surrounding it” {link} HE DOESN’T have to be as impressive as Peter. Paul’s smart. And he did a lot of genius crap and now he’s reaping the rewards.
But I digress. That version, where Paul is like, “I will not let you steal my spotlight! I must dub my own vocals over Peter’s shit because he’s the BACKING vocals and I’m the main act!” It’s a crap version.
Amongst the weird vocal blips at the end, there are other instrumental differences as well, which I noticed and didn’t like. Plus I could obviously compare it to the track that was on the tape Matt the Marine made for me, because back then I still had my double-cassette tape deck. It looked exactly like this random image of the precise make and model of the stereo I had back when Matt made me that tape:
So, despite years of obstacles and insurmountable blockades by record labels looking to repeatedly release new albums full of bad versions of old songs and not reissue Japanese 45s, the Internet in 2017 wins. Because while it didn’t have the answer to every life-long mystery back in 1999 . . . . {drum roll}
IT HAS THEM NOW. Here is the BEST VERSION of Paul Anka’s hit “Hold Me Til the Morning Comes” (featuring Peter Cetera on backing [backing, dammit, backing!] vocals).
NOTE: Again, this is not the original version that made it into this awesome post. I can no longer find that rare single version. SME keeps blocking everything. They’re so FUN like that. They apparently only want the crap versions of Paul’s hit circulating in the world. But here’s the actual link. It won’t embed, but you may be able to see it on Youtube.
Here’s that comparison for you (update: which no longer matters, due to the shittiness of Youtube and SME): the above version of the song only has like 500 views, because unlike the other Youtuber, they didn’t put Peter on the cover. Or in the title. We need to get a marketing team on this, because it would be great to get that crap version of the song out of circulation!
And for your reference, here is the version I found before I found the version from the Japanese 45, which also features a hilarious (I just have to be honest about that) Euro-version at the end. I guess that one is supposed to be for the discotheques.
https://youtu.be/NTbKlJceLYk
(This link is the same link as above, because of the amorphous nature of Youtube and rules and b.s. stuff like that).
TL;DR — It took me 17 years to find a version of a song that I first heard in 1996. The Internet saved me, finally, from taking the complete mystery to my grave.
NOTE: This once stunning work of posting genius has been mangled by Youtube and my attempts to keep it up to date. I refuse to be stymied by THEIR whims. So I’m keeping it out of stubbornness.
The version you like is arranged by David Foster… all is explained! 🙂
He really is a genius! I’ve always been a fan of David’s work. I didn’t really look into that, though. Is it true that David didn’t arrange the other versions? Thanks for the comment, Maria! <3